He later traveled for three years, throughout Greece, looking for a suitable place to stay. He visited Mount Athos, then the Monastery of Phaneromenis, then Salamina and finally the island of Hydra but in 1919, he was invited to stay at the island of Aegina, by St. Nektarios, to serve as a priest at the Convent of the Holy Trinity, and stayed for six years at this convent (from 1919 until 1925). There he taught the nuns the holy art of iconography and Byzantine music. This period was one of the most significant events in his biography due to his friendship with St. Nektarios; who was at the height of his spiritual development at this time. St Savvas had the opportunity to confess and receive counsel from the saint and the two held each other in highest esteem and regarded each other a saint. They were spiritual brothers and the best of friends.
St Savvas, the clergyman who conducted the funeral service for Saint Nektarios, also painted the first icon of the saint.
One day St. Savvas asked the abbess not to let anyone disturb him for forty days, during which he remained confined to his cell in which the nuns could hear constant conversation (between the living Saint and the reposed Saint). After 40 days, he came out of his cell holding an icon of the saint. He handed it to the abbess and asked her to place it in the church for veneration. The abbess was surprised since Nektarios had not been formerly glorified ("canonized") as a saint, and was afraid that the convent would get into trouble. Although Savvas was always meek and humble, he insisted, and told her in a commanding manner: "You must show obedience. Take the icon and place it on the icon stand, and do not scrutinize the will of God." He knew the holiness and purity of St. Nektarios.
During the forty days he spent locked in the room where St Nektarios tomb was, the nuns could hear two voices having conversations, and believed the second voice was that of the recently departed St Nektarios, so the living and dead were having discussions.Soon after the repose of St. Nektarios, the number of pilgrims to the convent increased rapidly due to the growing reputation of the saint as a miracle-worker. This greatly disrupted the quiet life that Saint Savvas loved and with the encouragement of the influential wealthy Kalymnian Gerasimos Zervos, he departed in 1925 and went to the island of Kalymnos.
St Savvas, the clergyman who conducted the funeral service for Saint Nektarios, also painted the first icon of the saint.
One day St. Savvas asked the abbess not to let anyone disturb him for forty days, during which he remained confined to his cell in which the nuns could hear constant conversation (between the living Saint and the reposed Saint). After 40 days, he came out of his cell holding an icon of the saint. He handed it to the abbess and asked her to place it in the church for veneration. The abbess was surprised since Nektarios had not been formerly glorified ("canonized") as a saint, and was afraid that the convent would get into trouble. Although Savvas was always meek and humble, he insisted, and told her in a commanding manner: "You must show obedience. Take the icon and place it on the icon stand, and do not scrutinize the will of God." He knew the holiness and purity of St. Nektarios.
During the forty days he spent locked in the room where St Nektarios tomb was, the nuns could hear two voices having conversations, and believed the second voice was that of the recently departed St Nektarios, so the living and dead were having discussions.Soon after the repose of St. Nektarios, the number of pilgrims to the convent increased rapidly due to the growing reputation of the saint as a miracle-worker. This greatly disrupted the quiet life that Saint Savvas loved and with the encouragement of the influential wealthy Kalymnian Gerasimos Zervos, he departed in 1925 and went to the island of Kalymnos.
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